3/11/2023 0 Comments Movie funny girl movie stillerHemlick then explained that he was called away from the location to meet with Army officers who proceeded to tell him the crew was filming on U.S. “There were extras dressed in period costumes, meals, and so forth…” “Communications links were required, including playback on both the train and the camera helicopter,” he wrote. Paul Helmick relates some interesting tales about filming Barbra in the Pullman Car in his memoir. Because of the extreme heat, the facial makeup of all the actors was only good for about 5-6 minutes before it began to melt off their faces, so we had to back up to the beginning of the lake, stand still while they re-made-up the actors, then quick shoot another take and repeat that about 7 times.” Īccording to Ross Rowland, who worked for the railroad during the filming, the scene in which Barbra sings inside the coach car “required seven takes and it was a beastly hot and humid day. Pictured above in the blue circles are two cameos! That's Barbra's dog, Sadie on the lap of her best friend and future business associate, Cis Corman. They bestowed their Lifetime Achievement Award for Historical Shot to Nelson Taylor.Ī helicopter was also used to film Streisand inside the passenger car of the train. Taylor was honored for his work on Funny Girl in 2009 by the Society of Camera Operators. And Nelson Tyler pulled all that off right back in the mid-sixties.” That “It doesn't matter how much expensive gear you've got, you need to have not a little luck, a great deal of skill, and a telepathic relationship between pilot and cameraman to pull that off. Jerry Grayson-film director and helicopter pilot-praised aerial photographer Nelson Tyler, who developed a special helicopter camera rig called the Tyler Major Mount. Streisand wore an earpiece to hear her music playback for the lip-synch. The final helicopter shot of “Don’t Rain On My Parade” starts wide with the tugboat and the Statue of Liberty in frame, then moves in perilously close to a medium shot as Streisand wields her yellow roses finally, the helicopter swoops backward, leaving the tugboat looking small in New York Harbor. Were quite an achievement for their time. In this age of drones and digital scenery, it’s easy to forget that the aerial shots in Funny Girl Its energy is achieved through editing, camera movement, and some amazing helicopter shots. Is one of the most exciting musical numbers committed to film.
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